By Dr Martens Britta
Taking an unique method of Robert Browning's poetics, Britta Martens specializes in a corpus of particularly overlooked poems in Browning's personal voice within which he displays on his poetry, his self-conceptualization and his position within the poetic culture. She analyzes his paintings on the subject of Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century alterations in poetic flavor, to argue that during those poems, as in his extra usually studied dramatic monologues, Browning deploys diverse dramatic tools of self-representation, frequently seriously and mockingly exposing the biases and boundaries of the doubtless authoritative speaker 'Browning'. The poems hence turn into units for Browning's indifferent assessment of his personal and of others' poetics, an assessment by no means totally particular yet offered with elusive economic system for the astute reader to interpret. The war of words among the non-public authorial voice and the dramatic voice in those poems presents revealing insights into the poet's hugely self-conscious, conflicted and sustained engagement with the Romantic culture and the diversely tough reader expectancies that he faces in a post-Romantic age. because the Victorian so much rigorous in his rejection of Romantic self-expression, Browning is a key transitional determine among the sharply hostile sessions of Romanticism and Modernism. he's additionally, as Martens persuasively demonstrates, a poet of advanced contradictions and an illuminating case research for addressing the perennial problems with voice, authorial authority and self-reference.
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Browning, Victorian Poetics and the Romantic Legacy: Challenging the Personal Voice by Dr Martens Britta