By Michael Goddard
Raúl Ruiz, whereas certainly one of the world's most vital filmmakers by way of numerous movie critics, is but to be the topic of any thorough engagement along with his paintings in English. This quantity units out in this job via mapping, as absolutely as attainable, Ruiz's cinematic trajectory throughout greater than 5 a long time of prolific paintings, as much as his dying in 2011; starting from his earliest paintings in Chile to high-budget 'European' dress dramas culminating in Mysteries of Lisbon (2010). It does so via treating Ruiz's paintings -- with its surrealist, magic realist, well known cultural, and neo-Baroque assets -- as one of those 'impossible' cinematic cartography, mapping genuine, imaginary, and digital areas, and crossing among diversified cultural contexts, aesthetic thoughts, and technical media. It argues that around the diversified levels of Ruiz's paintings pointed out, there are key continuities resembling the discovery of singular cinematic photos and the interrogation in their attainable and very unlikely combinations.
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The Cinema of Raúl Ruiz: Impossible Cartographies (Directors' Cuts) by Michael Goddard